Kerry Dunn
Portrait Painting in Oils
Class #6467
The instructor who teaches this class has requested that students wear masks in the studio during class hours. If this is an issue for you, please consider signing up for another class.
PLEASE NOTE A deposit of $1,000 per person, of which $350 is non-refundable is required as a reservation for this workshop; The deposit is non refundable after February 23. 2023. Final payment is required by March 1, 2023.
This will be a two-day long pose oil painting workshop with a live model. On both days, the instructor will demonstrate leading students with what they will work on each session. To start off, students will learn how to get better structure and likeness through the practice of abstract angle relationships as our drawing foundation. Students will then build upon this by modelling the surface of the face with a basic flesh tone value range. This is the basic method upon which more elaborate portraits can be developed. Also discussed will be adding color to our flesh tones, how to start this process and how to think about it based upon classical formulas and pure abstract color perception. We will end the class with developing the features further to create a focal point for the portrait.
Kerry Dunn is a painter firmly established in the craft of old master pursuits. Kerry graduated from Ringling School of Art and Design with a major in illustration in 1999. Kerry later studied with world renowned portrait painter Nelson Shanks, and now serves as principal portrait painting instructor at Studio Incamminati in Philadelphia, an atelier specialized in old master oil painting.
Kerry’s focus is on painting people and using line, form and color to communicate character, storytelling and spirit.
Also, areas of interest are the Figure which communicates the human condition, Still Life which depicts the objects of our lives, the occasional Landscape painting which explores the beauty of mother nature and our surroundings, and finally Illustration which is an exercise in style and creativity. These subjects often find their way back into Kerry’s focus of painting portraits.